Other typefaces there include Rus Sans Pokrytie (2009, based on Luxi Sans; withdrawn in 2010) and Rus Sans 3 (2010). In Nueva Espana (2010), Kamiya scan-fonted a typeface used in the printing of Nueva Espana in the XVIth century. Concilium II (2010) is a geometric, almost symbolic, headline sans face. [ is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. The Crayfish typefaces are sold as Thunder Bold and Titan Bold.In 2011, he created two simulation fonts called Sefarad and Al Andalus which imitate Hebrew and Arabic calligraphy, respectively.
There is also a short manual of Greek Paleography (71 pages) which explains the development of Greek handwriting from the fourth century B. to the invention of printing with movable type in the middle of the fifteenth A. He wrote a text book entitled History of Greek Typography: From the Invention of Printing to the Digital Age (in Spanish). [ Russian designer of the beautiful Open Font Library uncial Cyrillic typeface Ostromirovo (2008), which is based on Ostromirovo evangeliye [Ostromir Gospel] (1056-1057). Crayfish is a display type originally designed for an American Football club.
This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera).
A demo font can be downloaded [see also Lucius Hartmann's place].
PDF entitled Fonts For Latin Palaeography (2008-2014), in which Marcos gives an enjoyable historic overview.
Alphabetum is not Marcos's only excursion into type design.
His Greek font Grammata (2002) is now called Ellenike.He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Capitalis Monumentalis, Antiqua Cursiva Romana, Nova Cursiva Romana (2014), Uncialis, Semiuncialis, Beneventana Minuscula, Visigothica Minuscula, Luxoviensis Minuscula, Insularis Minuscula, Insularis Majuscula, Carolingia Minuscula, Gothica Textura Quadrata, Gothica Textura Prescissa, Gothica Rotunda, Gothica Bastarda, Gothica Cursiva, Bastarda Anglicana (2014) and Humanistica Antiqua.During his studies at he Akademie für Gestaltung in Köln, Germany, Aaron Wolber created the display sans typeface Gemeinschaft (2013, custom made for a catholic community in Geyen), the geometric sans Basic Alphabet (2013), and the serif typeface Zwanzig (2013). He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain.In 2013, he created Cuneus, a cuneiform simulation typeface.Paleographic fonts for Greek (2014) has ten fonts designed by Marcos: Angular Uncial, Biblical Uncial, Coptic Uncial, Papyrus Uncial, Round Uncial, Slavonic Uncial, Sloping Uncial, Minuscule IX, Minuscule XI and Minuscule XV. In 2007, he and Ingo Preuss set up The German Type Foundry.